Nabokov mentions that the lowest form of art is a sort of
literary tourism, leaning the value of art on exoticizing categories, including
culture, turning a novel into a double-decker bus tour, with the writer holding
a bull horn saying, “Look! Characters
wearing smocks!” What if the writer
exoticizing the culture is from both cultures of the foreign characters and the
“western” readers? Like me! I
somehow feel expectations from all sides, mainly because I’m writing in English. I have a feeling this could be a 1,100 page
thesis on translation studies, so I’ll keep it to my own, biased struggles with
my writing.
I’ll give you an example. What novels or stories can you
think of that start with a lush description of a spicy dish, loading up the scene
with rich sensory details a-la-Flannery O’ Connor’s 3/5 senses rule?
Just think coriander.
There are already 3 well known books with
this opening move from the past 5 years, and many of these books also have some
sort of sister story involved that span across a couple of generations (thanks,
Mark Sarvas for showing me an entire genre of this).
The folks who have known me since high school think I’m just
embittered because I was never fully accepted by the Korean Pride Kids and not
fully by the Surfer Kids, and now that I’m 35 I’m playing out this schism in my
writing.
I played ice hockey and was on
the surf team.
I defy stereotypes, and
that defiance is in a way a stereotype, as the 86 Asian American clubs from
college can say about my banal cries of individuality.
So why do
I feel a bit seditious as I refuse the convention of italicizing foreign words?
Is this the older Tommy Kim going back
to High School after training with Royce Gracie for 20 years in an MMA
compound, ready to crack some craniums?
My writing project (I dare not call it anything else for the
sake of my fragile confidence) tries to depict two very foreign worlds, to me
at least. Boyle Height and Korea during
the early 1950’s. I know this creation of another world (or defamiliarization
of the familiar world) is a prerequisite in any art, but I’m running into the
problem of feeling like a sell-out, or an inaccurate guide that will feel the
wrath of my people, or worst, from the “other” people that buy it as the
authentic version of reality when maybe I'm just a fraud. Wait,
putting it this way, I'm just getting harangued from all sides, so I might as
well just write the thing and hope my vision is worthy of being shared. Josh: I feel a type of paralysis here that
I’m trying to fix with my typical methods in dealing with any delicate
situation in life. Just yank the tablecloth
and if the pitchers and glasses tumble to the ground, at least I have a clear
table.
PS: Why do I say "exploitive" as if I have a neurological malfunction?